Revenances is a website and virtual reality installation that tells the story of a meeting or separation. The fiction is uncertain, it mixes future events and memories and hesitates between several temporalities. Perhaps the narrator is dead and is going through the memory of her existence. We navigate from one space to another, they are rooms with a bed, a window. We discover through this labyrinthine navigation the fragments of a story to be reconstructed.<\/p>\n\n\n\n
She falls into a space bathed in emptiness whose walls, floor and ceiling are absent. Only lines that she can cross. There a chair, in the distance a bed. Windows. An exit door. She has to travel distances to come into contact with objects. Sometimes she moves unintentionally as if possessed. She crosses the chair, a man smokes a cigarette, the smoke coming into contact with her body. On the bed, a woman is touching her back with her hand, she is touching her skin. In the windows, other windows: the clouds and snow of a television. Two lights projected. She moves from space to space.<\/p>\n\n\n\n
–<\/p>\n\n\n\n
Revenances est un site Web et une installation de r\u00e9alit\u00e9 virtuelle qui raconte l’histoire d’une rencontre ou d’une s\u00e9paration. La fiction est incertaine, elle m\u00eale des \u00e9v\u00e9nements \u00e0 venirs et des souvenirs et h\u00e9site entre plusieurs temporalit\u00e9s. Peut \u00eatre la narratrice est-elle morte et traverse-t-on la m\u00e9moire de son existence. On navigue d’un espace \u00e0 un autre, ce sont des pi\u00e8ces avec un lit, une fen\u00eatre. On d\u00e9couvre par cette navigation labyrinthique les fragments d’une histoire \u00e0 reconstituter.
Elle tombe dans un espace baign\u00e9 de vide dont les murs, le sol, le plafond sont absents. Seulement des lignes qu\u2019elle peut traverser. L\u00e0 une chaise, \u00e0 distance un lit. Des fen\u00eatres. Une porte de sortie. Il lui faut parcourir des distances pour entrer en contact avec les objets. Parfois elle se d\u00e9place sans le vouloir comme poss\u00e9d\u00e9e. Elle traverse la chaise, un homme fume une cigarette, la fum\u00e9e qui entre en contact avec son corps. Sur le lit, une femme touche de sa main son dos, elle touche sa peau. Dans les fen\u00eatres, d\u2019autres fen\u00eatres : les nuages et la neige d\u2019une t\u00e9l\u00e9vision. Deux lumi\u00e8res projet\u00e9es. Ellepasse d\u2019espace en espace.<\/p>\n\n\n\n
Une collaboration entre Gr\u00e9gory Chatonsky et Reynald Drouhin
Voix-off : Julie Morel
R\u00e9sidence de cr\u00e9ation : C3 (Budapest, Hongrie)
Exposition : Biennale d\u2019art contemporain de Montr\u00e9al 1999
Curator : Sylvie Parent
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