![\"Relache\"](\"http:\/\/incident.net\/users\/julie\/wordpress\/wp-content\/uploads\/2009\/10\/Relache.jpg\" "\\"Relache\\"")
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Le 4 novembre 2009, \u00c3\u00a0 19h, je pr\u00c3\u00a9sente ma vid\u00c3\u00a9o \u00ab\u00a0rel\u00c3\u00a2che\u00a0\u00bb dans le cadre de \u00ab\u00a0Nachbilder<\/a>\u00ab\u00a0, au Mus\u00c3\u00a9e des Beaux-arts de Berne.<\/p>\n Sur une invitation de la Galerie Marks Blond<\/a> – Kino Kunstmuseum Bern. Extrait du dossier de presse :<\/p>\n La vid\u00c3\u00a9o \u00ab\u00a0Rel\u00c3\u00a2che (une vid\u00c3\u00a9o ascenseur)\u00a0\u00bb est une relecture de \u00c2\u00ab Entr\u00e2\u20ac\u2122acte \u00c2\u00bb de Ren\u00c3\u00a9 Clair, cr\u00c3\u00a9\u00c3\u00a9e sur un mode d\u00e2\u20ac\u2122associations libres \u00c3\u00a0 partir des images et des sons originaux. Le r\u00c3\u00a9sultat diff\u00c3\u00a8re cependant radicalement de sa matrice dans son traitement audio-visuel. Les connexions au film de Ren\u00c3\u00a9 Clair sont \u00c3\u00a0 chercher dans le titre \u00c2\u00ab rel\u00c3\u00a2che \u00c2\u00bb (Entracte avait \u00c3\u00a9t\u00c3\u00a9 produit pour un ballet portant ce nom), dans la r\u00c3\u00a9f\u00c3\u00a9rence \u00c3\u00a0 la danseuse pr\u00c3\u00a9sente \u00c3\u00a0 plusieurs moments du film, dans les sautillements de Marcel Duchamp et Picabia, dans les bonds r\u00c3\u00a9alis\u00c3\u00a9s par la personne prenant part \u00c3\u00a0 la procession qui suit le corbillard, dans tous ces mouvements d’\u00c3\u00a9l\u00c3\u00a9vations qui sont tourn\u00c3\u00a9s en d\u00c3\u00a9rision.<\/p>\n","protected":false},"excerpt":{"rendered":" Le 4 novembre 2009, \u00c3\u00a0 19h, je pr\u00c3\u00a9sente ma vid\u00c3\u00a9o \u00ab\u00a0rel\u00c3\u00a2che\u00a0\u00bb dans le cadre de \u00ab\u00a0Nachbilder\u00ab\u00a0, au Mus\u00c3\u00a9e des Beaux-arts de Berne. Sur une invitation de la Galerie Marks Blond – Kino Kunstmuseum Bern. > Programme Extrait du dossier de… (SAVOIR PLUS)<\/a><\/p>\n","protected":false},"author":1,"featured_media":1434,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6,12,4],"tags":[78,142,161,139],"_links":{"self":[{"href":"http:\/\/incident.net\/users\/julie\/wordpress\/index.php?rest_route=\/wp\/v2\/posts\/1433"}],"collection":[{"href":"http:\/\/incident.net\/users\/julie\/wordpress\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/incident.net\/users\/julie\/wordpress\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/incident.net\/users\/julie\/wordpress\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/incident.net\/users\/julie\/wordpress\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1433"}],"version-history":[{"count":18,"href":"http:\/\/incident.net\/users\/julie\/wordpress\/index.php?rest_route=\/wp\/v2\/posts\/1433\/revisions"}],"predecessor-version":[{"id":5551,"href":"http:\/\/incident.net\/users\/julie\/wordpress\/index.php?rest_route=\/wp\/v2\/posts\/1433\/revisions\/5551"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/incident.net\/users\/julie\/wordpress\/index.php?rest_route=\/wp\/v2\/media\/1434"}],"wp:attachment":[{"href":"http:\/\/incident.net\/users\/julie\/wordpress\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1433"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/incident.net\/users\/julie\/wordpress\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1433"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/incident.net\/users\/julie\/wordpress\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1433"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n> Programme<\/a><\/p>\n![\"Nachbilder_Programm\"](\"http:\/\/incident.net\/users\/julie\/wordpress\/wp-content\/uploads\/2009\/10\/Nachbilder_Programm.jpg\" "\\"Nachbilder_Programm\\"")
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\nCette vid\u00c3\u00a9o, sous-titr\u00c3\u00a9e ironiquement \u00c2\u00ab vid\u00c3\u00a9o d\u00e2\u20ac\u2122ascenseur \u00c2\u00bb (comme on parle de musique d\u00e2\u20ac\u2122ascenseur), nous pr\u00c3\u00a9sente un plan pris pr\u00c3\u00a8s du sol, qui laisse apercevoir par intermittence, les sandales d\u00e2\u20ac\u2122une danseuse qui mart\u00c3\u00a8lent le sol jusqu\u00e2\u20ac\u2122\u00c3\u00a0 le faire trembler l\u00c3\u00a9g\u00c3\u00a8rement. Ici tout nous parle d\u00e2\u20ac\u2122\u00c3\u00a9chec : la lourdeur ins\u00c3\u00a9parable du d\u00c3\u00a9sir d\u00e2\u20ac\u2122\u00c3\u00a9l\u00c3\u00a9vation\u00c2\u00a0 pr\u00c3\u00a9sente \u00c3\u00a0 chaque seconde, la cadence saccad\u00c3\u00a9e du mouvement qui ne saurait \u00c3\u00aatre fluide, le son amplifi\u00c3\u00a9 et ralenti \u00c3\u00a0 l\u00e2\u20ac\u2122extr\u00c3\u00aame, qui frise parfois le grotesque, la r\u00c3\u00a9p\u00c3\u00a9tition d\u00e2\u20ac\u2122une seule et m\u00c3\u00aame action, ou la trace sombre laiss\u00c3\u00a9e par l\u00e2\u20ac\u2122impulsion.
\nLes signes qui pourraient exprimer la gait\u00c3\u00a9 et l\u00e2\u20ac\u2122all\u00c3\u00a9gresse sont pr\u00c3\u00a9sents mais inefficaces : les chaussures \u00c3\u00a0 paillettes, dignes de celle de Dorothy dans le magicien d\u00e2\u20ac\u2122Oz, se rapproche plus d\u00e2\u20ac\u2122une vision \u00c3\u00a0 la Pipilotti Rist. Le fait de sautiller, reconnaissable mais d\u00c3\u00a9form\u00c3\u00a9, est frein\u00c3\u00a9, litt\u00c3\u00a9ralement.<\/p>\n