{"id":1755,"date":"2010-01-11T16:52:05","date_gmt":"2010-01-11T15:52:05","guid":{"rendered":"http:\/\/incident.net\/users\/julie\/wordpress\/?p=1755"},"modified":"2012-05-08T14:06:59","modified_gmt":"2012-05-08T13:06:59","slug":"fidelity-revisited-and-in-progress","status":"publish","type":"post","link":"http:\/\/incident.net\/users\/julie\/wordpress\/?p=1755","title":{"rendered":"Fidelity revisited, and in progress"},"content":{"rendered":"<p><img decoding=\"async\" loading=\"lazy\" width=\"480\" height=\"356\" class=\"alignnone size-full wp-image-1756\" title=\"fidelity\" src=\"http:\/\/incident.net\/users\/julie\/wordpress\/wp-content\/uploads\/2010\/01\/fidelity.jpg\" alt=\"fidelity\" \/><\/p>\n<p>Je commence \u00c3\u00a0 l&rsquo;envers. Je fais des digressions. Le projet partition est en train de se d\u00c3\u00a9velopper lentement et je cherche une m\u00c3\u00a9thodologie de travail. Notamment en ce qui concerne la construction des morceaux d&rsquo;apr\u00c3\u00a8s les fichiers midi issus des partitions. Je fais des piles : ce son avec celui-ci, celui l\u00c3\u00a0, sur cette pile, celui-l\u00c3\u00a0, l\u00c3\u00a0&#8230; Des tas de sons qui iraient ensemble donc, comme on classerait des tissus de couleurs, ou des familles conceptuelles&#8230;. j&rsquo;\u00c3\u00a9chantillonne des morceaux que j&rsquo;aime, d&rsquo;autres qui ont attir\u00c3\u00a9s mon oreille, et j&rsquo;essaye de comprendre&#8230;<\/p>\n<p>D\u00c3\u00a9finir une famille sonore m&rsquo;est difficile avec les partitions trouv\u00c3\u00a9es aux Archives D\u00c3\u00a9partementales, puisque les fichiers midi g\u00c3\u00a9n\u00c3\u00a9r\u00c3\u00a9s d&rsquo;apr\u00c3\u00a8s ces partitions sont sans reliefs, juste une suite de notes monotones et plates. Les morceaux que j&rsquo;\u00c3\u00a9coute tous les jours et que j&rsquo;\u00c3\u00a9chantillonne pour le moment semblent eux d\u00c3\u00a9j\u00c3\u00a0 contenir un son, qui peut \u00c3\u00aatre d\u00c3\u00a9tourn\u00c3\u00a9 et transform\u00c3\u00a9 par l&rsquo;\u00c3\u00a9chantillonnage&#8230;<br \/>\nArtheist, qui d\u00c3\u00a9veloppe en ce moment la partie technique du projet (et qui est plein de bonnes id\u00c3\u00a9es sur la conception aussi !) m&rsquo;a envoy\u00c3\u00a9 ce passage de \u00ab\u00a0<a href=\"http:\/\/books.google.fr\/books?id=YxnqcAR7xjkC&amp;dq=Curtis+Road+%28Microsound&amp;printsec=frontcover&amp;source=bn&amp;hl=fr&amp;ei=QERLS5qYEpKy4QbtgOX-Ag&amp;sa=X&amp;oi=book_result&amp;ct=result&amp;resnum=5&amp;ved=0CBsQ6AEwBA#v=onepage&amp;q=&amp;f=false\" target=\"_blank\">Microsound<\/a>\u00a0\u00bb de Curtis Road, qui r\u00c3\u00a9sume bien la situation :<\/p>\n<p>\u00ab\u00a0Certain composers design a complex strategy as prelude to the realization of a piece. The electronic music composer may spend considerable time in creating the sound materials of the work. Either of these tasks may entail the development of software. Virtually all composers spend time experimenting, playing with material in different combinations. Some of these experiments may result in fragments that are edited or discarded, to be replaced with new fragments. Thus it is inevitable that composers invest time pursuing dead ends, composing fragments that no one else will hear. This backtracking is not necessarily time wasted; it is part of an important feedback loop in which the composer refines the work.\u00a0\u00bb<\/p>\n<p>Thanks Artheist pour la r\u00c3\u00a9f. : )<\/p>\n<p>En attendant de pouvoir d\u00c3\u00a9m\u00c3\u00aaler cette histoire de famille sonore, j&rsquo;ai exp\u00c3\u00a9riment\u00c3\u00a9 hier soir avec le morceau \u00ab\u00a0<a href=\"http:\/\/www.deezer.com\/fr\/music\/regina-spektor#music\/regina-spektor\/begin-to-hope-86816\" target=\"_blank\">Fidelity<\/a>\u00a0\u00bb de R\u00c3\u00a9gina Spectors&#8230;<br \/>\nIn progress et \u00c3\u00a0 \u00c3\u00a9couter au casque.<\/p>\n<h3>[display_podcast]<\/h3>\n","protected":false},"excerpt":{"rendered":"<p>Je commence \u00c3\u00a0 l&rsquo;envers. Je fais des digressions. Le projet partition est en train de se d\u00c3\u00a9velopper lentement et je cherche une m\u00c3\u00a9thodologie de travail. Notamment en ce qui concerne la construction des morceaux d&rsquo;apr\u00c3\u00a8s les fichiers midi issus des&#8230; <a class=\"read-more-button\" href=\"http:\/\/incident.net\/users\/julie\/wordpress\/?p=1755\">(SAVOIR PLUS)<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[158,160,79],"_links":{"self":[{"href":"http:\/\/incident.net\/users\/julie\/wordpress\/index.php?rest_route=\/wp\/v2\/posts\/1755"}],"collection":[{"href":"http:\/\/incident.net\/users\/julie\/wordpress\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/incident.net\/users\/julie\/wordpress\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/incident.net\/users\/julie\/wordpress\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/incident.net\/users\/julie\/wordpress\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1755"}],"version-history":[{"count":9,"href":"http:\/\/incident.net\/users\/julie\/wordpress\/index.php?rest_route=\/wp\/v2\/posts\/1755\/revisions"}],"predecessor-version":[{"id":1761,"href":"http:\/\/incident.net\/users\/julie\/wordpress\/index.php?rest_route=\/wp\/v2\/posts\/1755\/revisions\/1761"}],"wp:attachment":[{"href":"http:\/\/incident.net\/users\/julie\/wordpress\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1755"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/incident.net\/users\/julie\/wordpress\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1755"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/incident.net\/users\/julie\/wordpress\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1755"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}