Born in 1971 in Paris, France. Lives and works in Paris and Montreal.<\/p>\n
Since the mid-1990s, Gregory Chatonsky has been working on the Web and on his affectivity, leading him to question the identity and new narratives that emerge from the network. From 2001, he began a series on extinction as an artificial and natural phenomenon. Over the years, he has turned to the ability of machines to produce results that resemble a human creation in an almost autonomous way.
\nThese issues have become convergent thanks to the artificial imagination that uses the data accumulated on the Web as learning material to produce a mimesis. In the context of a probable extinction of the human species, the network appears as a attempt to create a monument in anticipation that would continue after our disappearance.<\/p>\n
Gr\u00e9gory Chatonsky has participated in numerous solo and group exhibitions in France, Canada and abroad, including Terre Seconde (2019) at Palais de Tokyo, Je ressemblerai \u00e0 ce que vous avez \u00e9t\u00e9 (2019) at Tanneries, France Electronique (2018) in Toulouse, Terre\/mer\/signal (2018) at Rua Red Dublin, Imprimer le monde (2017) at Centre Pompidou, Capture: Submersion (2016) at Arts Santa M\u00f2nica, La condition post-photographique (2016) at Montr\u00e9al, Walkers: Hollywood afterlives in art (2015) at Museum of the Moving Image in New York, Telofossils (2013) at MOCA Taipei, Erreur d\u2019impression (2012) at Jeu de Paume, etc.<\/p>\n
He has been in residence in Cit\u00e9 Internationale des Arts (2019-2020), Icade (2018-2019), Abu Dhabi (2017), Taluen in Amazonian forest (2017), Colab in Auckland (2016), Hangar in Barcelona (2016), IMAL (2015), Villa Kujoyama in Kyoto (2014), CdA Enghein-les-Bains (2013), MOCA Taipei (2012), 3331 Arts Chiyoda in Tokyo (2012), Xiyitang, Shanghai, (2011), Les Inclassables in Montr\u00e9al (2003), Abbaye royale de Fontevraud (2002). He received the Audi Talents Award in 2018 and MAIF sculpture prrize in 2020.
\nHe was teacher at Le Fresnoy (2004-2005), at UQAM (2007-2014) and is an artist-researcher at the \u00c9cole Normale Sup\u00e9rieure de Paris. He is artistic director of a research-creation program at Artec.<\/p>\n
–<\/p>\n
N\u00e9 en 1971 \u00e0 Paris, France. Vit et travaille \u00e0 Paris et \u00e0 Montr\u00e9al.<\/p>\n
Depuis le milieu des ann\u00e9es 1990, Gr\u00e9gory Chatonsky travaille sur le Web et son affectivit\u00e9, ce qui l’am\u00e8ne \u00e0 s’interroger sur l’identit\u00e9 et les nouveaux r\u00e9cits qui \u00e9mergent du r\u00e9seau. \u00c0 partir de 2001, il a commenc\u00e9 une s\u00e9rie sur l’extinction en tant que ph\u00e9nom\u00e8ne artificiel et naturel. Au fil des ans, il s’est tourn\u00e9 vers la capacit\u00e9 des machines \u00e0 produire des r\u00e9sultats qui ressemblent \u00e0 une cr\u00e9ation humaine de mani\u00e8re presque autonome.<\/p>\n
Ces questions sont devenues convergentes gr\u00e2ce \u00e0 l’imagination artificielle qui utilise les donn\u00e9es accumul\u00e9es sur le web comme mat\u00e9riel d’apprentissage pour produire une mim\u00e9sis. Dans le contexte d’une probable extinction de l’esp\u00e8ce humaine, le r\u00e9seau appara\u00eet comme une tentative de cr\u00e9er un monument en pr\u00e9vision qui se poursuivrait apr\u00e8s notre disparition.<\/p>\n
Gr\u00e9gory Chatonsky a particip\u00e9 \u00e0 de nombreuses expositions individuelles et collectives en France, au Canada et \u00e0 l’\u00e9tranger, dont Terre Seconde (2019) au Palais de Tokyo, Je ressemblerai \u00e0 ce que vous avez \u00e9t\u00e9 (2019) aux Tanneries, France Electronique (2018) \u00e0 Toulouse, Terre\/mer\/signal (2018) \u00e0 la Rua Red Dublin, Imprimer le monde (2017) au Centre Pompidou, Capture : Submersion (2016) aux Arts Santa M\u00f2nica, La condition post-photographique (2016) \u00e0 Montr\u00e9al, Walkers : Hollywood afterlives in art (2015) au Museum of the Moving Image \u00e0 New York, Telofossils (2013) au MOCA Taipei, Erreur d’impression (2012) au Jeu de Paume, etc.<\/p>\n
Il a \u00e9t\u00e9 en r\u00e9sidence \u00e0 la Cit\u00e9 internationale des arts (2019-2020), \u00e0 Icade (2018-2019), \u00e0 Abu Dhabi (2017), \u00e0 Taluen dans la for\u00eat amazonienne (2017), \u00e0 Colab \u00e0 Auckland (2016), au Hangar \u00e0 Barcelone (2016), \u00e0 l’IMAL (2015), Villa Kujoyama \u00e0 Kyoto (2014), CdA Enghein-les-Bains (2013), MOCA Taipei (2012), 3331 Arts Chiyoda \u00e0 Tokyo (2012), Xiyitang, Shanghai, (2011), Les Inclassables \u00e0 Montr\u00e9al (2003), Abbaye royale de Fontevraud (2002). Il a re\u00e7u le prix Audi Talents en 2018 et le prix de sculpture de la MAIF en 2020.
\nIl a \u00e9t\u00e9 professeur au Fresnoy (2004-2005), \u00e0 l’UQAM (2007-2014) et est artiste-chercheur \u00e0 l’\u00c9cole normale sup\u00e9rieure de Paris. Il est directeur artistique d’un programme de recherche-cr\u00e9ation \u00e0 l’Artec.<\/p>\n
Artworks<\/a><\/strong> Born in 1971 in Paris, France. Lives and works in Paris and Montreal. Since the mid-1990s, Gregory Chatonsky has been working on the Web and on his affectivity, leading him to question the identity and new narratives that emerge from the network. From 2001, he began a series on extinction as an artificial and natural…<\/p>\n","protected":false},"author":1,"featured_media":4909,"template":"","meta":[],"portfolio_category":[20,22],"portfolio_tag":[],"_links":{"self":[{"href":"https:\/\/incident.net\/index.php?rest_route=\/wp\/v2\/portfolio\/3948"}],"collection":[{"href":"https:\/\/incident.net\/index.php?rest_route=\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/incident.net\/index.php?rest_route=\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/incident.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"version-history":[{"count":31,"href":"https:\/\/incident.net\/index.php?rest_route=\/wp\/v2\/portfolio\/3948\/revisions"}],"predecessor-version":[{"id":4911,"href":"https:\/\/incident.net\/index.php?rest_route=\/wp\/v2\/portfolio\/3948\/revisions\/4911"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/incident.net\/index.php?rest_route=\/wp\/v2\/media\/4909"}],"wp:attachment":[{"href":"https:\/\/incident.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3948"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/incident.net\/index.php?rest_route=%2Fwp%2Fv2%2Fportfolio_category&post=3948"},{"taxonomy":"portfolio_tag","embeddable":true,"href":"https:\/\/incident.net\/index.php?rest_route=%2Fwp%2Fv2%2Fportfolio_tag&post=3948"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nCurriculum vit\u00e6<\/a><\/strong>
\nPortfolio<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"