\u00ab\u00a0Thus, it appears that the represented global space cannot be reconstructed at once from the represented global space: it is necessary to proceed point by point, edge by edge, carefully sticking the edge of this sofa that appears in such and such a plane, with this same edge appearing but in another plane, seen not only from another point of view, but according to other projective coordinates, which must be \u00ab\u00a0straightened\u00a0\u00bb and harmonized, so to speak, in order to reconstitute the dimensions.\u00a0\u00bb
Maniglier, P. (2010). The Devil’s Perspective
Readonlymemories uses classical movies images to form big frescoes. Contrary to the cinematography\u2019s temporality, time is no longer sequential. It is suspended. We have all seen the building in Rear Window, Dorothy\u2019s room in Blue Velvet or the twin brothers in Dead Ringers. Never we have seen those on screen.<\/p>\n\n\n\n
–<\/p>\n\n\n\n
\u00ab\u00a0Ainsi, il appara\u00eet que l\u2019espace global repr\u00e9sent\u00e9 ne peut pas \u00eatre reconstitu\u00e9 d\u2019un coup \u00e0 partir de l\u2019espace global repr\u00e9sentant : il faut proc\u00e9der point par point, bordure par bordure, coller soigneusement le bord de ce canap\u00e9 qui appara\u00eet dans tel plan, avec ce m\u00eame bord qui appara\u00eet mais dans un autre plan, vu non seulement d\u2019un autre point de vue, mais selon d\u2019autres coordonn\u00e9es projectives, qu\u2019il faut pour ainsi dire \u00ab redresser \u00bb et harmoniser, pour reconstituer les dimensions.\u00a0\u00bb
Maniglier, P. (2010). La perspective du diable
Readonlymemories reprend des images de films en mettant \u00e0 plat le temps. Ce sont de grandes fresques dans lesquels nous pouvons voir compl\u00e8tement un espace que la temporalit\u00e9 cin\u00e9matographique nous pr\u00e9sentait de fa\u00e7on s\u00e9quentielle. Nous avons tous vu l\u2019immeuble de Fen\u00eatre sur cour, la chambre de Dorothy dans Blue Velvet, les fr\u00e8res jumeaux de Faux-semblants, et pourtant jamais nous ne les avons vus \u00e0 l\u2019\u00e9cran.<\/p>\n\n\n\n
R\u00e9sidence : Villa M\u00e9cidis hors les murs \/ Les Inclassables, Montr\u00e9al<\/p>\n","protected":false},"excerpt":{"rendered":"
\u00ab\u00a0Thus, it appears that the represented global space cannot be reconstructed at once from the represented global space: it is necessary to proceed point by point, edge by edge, carefully sticking the edge of this sofa that appears in such and such a plane, with this same edge appearing but in another plane, seen not…<\/p>\n","protected":false},"author":1,"featured_media":4485,"template":"","meta":[],"portfolio_category":[25,17],"portfolio_tag":[34,49,57,78,98,109,110,111,112,113],"_links":{"self":[{"href":"https:\/\/incident.net\/index.php?rest_route=\/wp\/v2\/portfolio\/4484"}],"collection":[{"href":"https:\/\/incident.net\/index.php?rest_route=\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/incident.net\/index.php?rest_route=\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/incident.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"version-history":[{"count":12,"href":"https:\/\/incident.net\/index.php?rest_route=\/wp\/v2\/portfolio\/4484\/revisions"}],"predecessor-version":[{"id":4889,"href":"https:\/\/incident.net\/index.php?rest_route=\/wp\/v2\/portfolio\/4484\/revisions\/4889"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/incident.net\/index.php?rest_route=\/wp\/v2\/media\/4485"}],"wp:attachment":[{"href":"https:\/\/incident.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4484"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/incident.net\/index.php?rest_route=%2Fwp%2Fv2%2Fportfolio_category&post=4484"},{"taxonomy":"portfolio_tag","embeddable":true,"href":"https:\/\/incident.net\/index.php?rest_route=%2Fwp%2Fv2%2Fportfolio_tag&post=4484"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}