{"id":1290,"date":"2009-06-18T19:16:28","date_gmt":"2009-06-18T18:16:28","guid":{"rendered":"http:\/\/incident.net\/users\/julie\/wordpress\/?p=1290"},"modified":"2012-05-07T22:01:43","modified_gmt":"2012-05-07T21:01:43","slug":"ytmo","status":"publish","type":"post","link":"https:\/\/incident.net\/users\/julie\/wordpress\/?p=1290","title":{"rendered":"YTMO"},"content":{"rendered":"<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/incident.net\/users\/julie\/wordpress\/wp-content\/uploads\/2009\/06\/youturnmeon2.jpg\" alt=\"you turn me on\" width=\"480\" height=\"361\" \/><\/p>\n<p>You Turn Me On, c&rsquo;est le nom du projet sur lequel je r\u00c3\u00a9fl\u00c3\u00a9chis en ce moment, et pour lequel je suis en train de monter un dossier de subvention. Au del\u00c3\u00a0 du temps plus d\u00c3\u00a9sagr\u00c3\u00a9able de la constitution d&rsquo;un tel dossier, l&rsquo;exercice \u00c3\u00a0 toujours l&rsquo;avantage de synth\u00c3\u00a9tiser les id\u00c3\u00a9es, et donc de faire d\u00c3\u00a9couvrir certaines connexions \u00c3\u00a9videntes qui \u00c3\u00a9taient rest\u00c3\u00a9es inconscientes.<\/p>\n<p>Le projet YTMO avait \u00c3\u00a9merg\u00c3\u00a9 comme la suite du projet Sweet Dream, dont j&rsquo;essaye maintenant de m&rsquo;\u00c3\u00a9loigner le plus possible : j&rsquo;ai envie d&rsquo;\u00c3\u00aatre dans la variation de ce m\u00c3\u00aame th\u00c3\u00a8me (l\u00e2\u20ac\u2122inscription d\u00e2\u20ac\u2122un mode relationnel interfac\u00c3\u00a9 comme forme narrative) mais pas dans la r\u00c3\u00a9p\u00c3\u00a9tition.<br \/>\nJe suis partie des m\u00c3\u00aames \u00c3\u00a9l\u00c3\u00a9ments : dispositif on\/off, traduction des impulsions \u00c3\u00a9lectriques en cons\u00c3\u00a9quences visuelles, j&rsquo;y ai ajout\u00c3\u00a9 l&rsquo;importance du texte \u00c3\u00a9crit \u00c3\u00a0 la limite de l&rsquo;image et oscillant entre lisible et non lisible, qui traverse g\u00c3\u00a9n\u00c3\u00a9ralement mes propositions. Et dans cette optique, j&rsquo;ai int\u00c3\u00a9gr\u00c3\u00a9 les recherches li\u00c3\u00a9es \u00c3\u00a0 Organs.<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/incident.net\/users\/julie\/wordpress\/wp-content\/uploads\/2009\/06\/Julie_NothingNB.jpg\" alt=\"you turn me on\" width=\"480\" height=\"274\" \/><\/p>\n<p>Au d\u00c3\u00a9part, pour m&rsquo;occuper les mains et m&rsquo;amuser aussi, j&rsquo;ai produit une petite lampe toute simple, jouant sur le double sens de la\u00c2\u00a0 phrase \u00ab\u00a0you turn me on\u00a0\u00bb et ce qu&rsquo;elle disait litt\u00c3\u00a9ralement de mon rapport au spectateur. De l\u00c3\u00a0 d\u00c3\u00a9coule le projet&#8230;<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/incident.net\/users\/julie\/wordpress\/wp-content\/uploads\/2009\/06\/youturnmeon1.jpg\" alt=\"you turn me on\" width=\"480\" height=\"671\" \/><\/p>\n<p>Et puis dans ce cadre de recherche, je me suis naturellement pench\u00c3\u00a9e sur le livre \u00ab\u00a0Visibleinvisible\u00a0\u00bb , une monographie d\u00c3\u00a9di\u00c3\u00a9e \u00c3\u00a0 Cerith Wyn Evans (J&rsquo;avais d\u00c3\u00a9couvert cet artiste lors de son exposition \u00c3\u00a0 l&rsquo;ARC \u00c3\u00a0 Paris &#8211; que je suis retourn\u00c3\u00a9e voir 4 fois ! &#8211; et qui depuis n&rsquo;a cess\u00c3\u00a9 de me parler) et les passerelles qui existent me sont apparues comme \u00c3\u00a9videntes. Bien sur il y a cette similarit\u00c3\u00a9 du on\/off et sa traduction, mais surtout des id\u00c3\u00a9es communes, que ces phrases tir\u00c3\u00a9es du livre r\u00c3\u00a9sument bien :<\/p>\n<p>\u00ab\u00a0Over the recent years Cerith Wyn Evans has become an indispensable point of reference, and his sophisticated oeuvre &#8211; disposed to set up a relationships through evocations and concealments &#8211; has inspired many emergent artists. It&rsquo;s an oeuvre unmistakably conceived in terms of its critical and historical links with the possibilities and vicissitudes of film and writing, from where it has taken the unusual relations between space, light, language and objects, and their seductiveness and indefiniteness.<br \/>\nHowever, while his work and installations turn to a wide range of genre, media and discourses, both highbrow and popular, they always encompass a cerain disdain for the commonplace, a certain opacity, and the experiene of his oeuvre usually implies acceptance of the impossibility of immediacy and coherence.\u00a0\u00bb<br \/>\n(&#8230;)<br \/>\nWith this adaptations, stagings and compositions embracing multiple references that usually favor presentations characterized by imperceptible folds and disjunctions, Evans never privileges a phenomenological reading of space or a literal use of material (such as bright neon lights, philosophical texts, mirrors, plants and fireworks) and their links, affinities and kinships, that often give rise to slight disturbances and disorders, suggest interruptions and intrusions that displace registers and perceptions. Nothing is as it seems : in this multiform and intertextual space, emphasis appears to fall between presences and absences. What seems inescapable and prevailing is the establishment of what the artist enunciates as an occasion, a scenario, a cipher against metaphors, \u00ab\u00a0something standing in for something that doesn&rsquo;t stand in for something else\u00a0\u00bb. \u00ab\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"<p>You Turn Me On, c&rsquo;est le nom du projet sur lequel je r\u00c3\u00a9fl\u00c3\u00a9chis en ce moment, et pour lequel je suis en train de monter un dossier de subvention. Au del\u00c3\u00a0 du temps plus d\u00c3\u00a9sagr\u00c3\u00a9able de la constitution d&rsquo;un tel&#8230; <a class=\"read-more-button\" href=\"https:\/\/incident.net\/users\/julie\/wordpress\/?p=1290\">(SAVOIR PLUS)<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[155],"_links":{"self":[{"href":"https:\/\/incident.net\/users\/julie\/wordpress\/index.php?rest_route=\/wp\/v2\/posts\/1290"}],"collection":[{"href":"https:\/\/incident.net\/users\/julie\/wordpress\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/incident.net\/users\/julie\/wordpress\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/incident.net\/users\/julie\/wordpress\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/incident.net\/users\/julie\/wordpress\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1290"}],"version-history":[{"count":3,"href":"https:\/\/incident.net\/users\/julie\/wordpress\/index.php?rest_route=\/wp\/v2\/posts\/1290\/revisions"}],"predecessor-version":[{"id":4800,"href":"https:\/\/incident.net\/users\/julie\/wordpress\/index.php?rest_route=\/wp\/v2\/posts\/1290\/revisions\/4800"}],"wp:attachment":[{"href":"https:\/\/incident.net\/users\/julie\/wordpress\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1290"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/incident.net\/users\/julie\/wordpress\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1290"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/incident.net\/users\/julie\/wordpress\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1290"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}