Nous y montrons des \u00c5\u201cuvres de Refik Anadol, David Blair, Sylvie Bonnot, Jean-Marie Boyer, Caroline Corbasson, Paul Destieu, Marie Fabre, Julie C. Fortier, Lia Giraud, Pierre Malphettes, Claire Malrieux, Stefan Shankland, Gwenola Wagon et St\u00c3\u00a9phane\u00c2\u00a0Degoutin.
L’exposition est visible jusqu’au 21 mars !
> Le Bel ordinaire.<\/a>
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<\/figure>\n\n\n\nPour concevoir cette exposition, nous sommes partie de l\u00e2\u20ac\u2122observation de la\u00c2\u00a0Broyeuse de chocolat<\/em>\u00c2\u00a0de Marcel Duchamp. Notre lecture de cette \u00c5\u201cuvre embl\u00c3\u00a9matique est qu’elle propose une approche contemporaine des choses (mat\u00c3\u00a9rielles ou immat\u00c3\u00a9rielles) : elle permet de les concevoir et de les aborder comme un ensemble d\u00e2\u20ac\u2122\u00c3\u00a9l\u00c3\u00a9ments discontinus. De l\u00e2\u20ac\u2122invention du b\u00c3\u00a9ton, au recyclage de mat\u00c3\u00a9riaux, en passant par la cuisine ou les donn\u00c3\u00a9es num\u00c3\u00a9riques, la granularit\u00c3\u00a9 est au centre de notre rapport \u00c3\u00a0 la mati\u00c3\u00a8re, jusqu\u00e2\u20ac\u2122\u00c3\u00a0 devenir un paradigme de la connaissance envisag\u00c3\u00a9e comme une vaste base de donn\u00c3\u00a9es constitu\u00c3\u00a9e d\u00e2\u20ac\u2122une masse de micrograins\u00c2\u00a0d\u00e2\u20ac\u2122informations.<\/p>\n\n\n\n Cet \u00c3\u00a9tat granulaire de la mati\u00c3\u00a8re engage des processus sp\u00c3\u00a9cifiques : fractionner, mixer et mettre en forme. Par exemple, on r\u00c3\u00a9duit du gypse en poudre et on obtient du pl\u00c3\u00a2tre, puis on le mixe avec de l\u00e2\u20ac\u2122eau pour le mouler ou le fa\u00c3\u00a7onner dans le but de produire une nouvelle forme solide. De m\u00c3\u00aame, l\u00e2\u20ac\u2122information, r\u00c3\u00a9duite \u00c3\u00a0 des unit\u00c3\u00a9s \u00c3\u00a9l\u00c3\u00a9mentaires exprim\u00c3\u00a9es en 0 et 1, est trait\u00c3\u00a9e par des programmes num\u00c3\u00a9riques afin de produire de nouvelles entit\u00c3\u00a9s sous forme de textes, images ou sons.<\/p>\n\n\n\n L\u00e2\u20ac\u2122exposition est pens\u00c3\u00a9e \u00c3\u00a0 partir de ces processus et pr\u00c3\u00a9sente une s\u00c3\u00a9lection d\u00e2\u20ac\u2122\u00c5\u201cuvres tr\u00c3\u00a8s diff\u00c3\u00a9rentes (du dessin algorithmique \u00c3\u00a0 l’\u00c5\u201cuvre olfactive, en passant par des pi\u00c3\u00a8ces en b\u00c3\u00a9ton) qui poss\u00c3\u00a8dent toutes, d\u00e2\u20ac\u2122une mani\u00c3\u00a8re ou d\u00e2\u20ac\u2122une autre, des propri\u00c3\u00a9t\u00c3\u00a9s granulaires. La semaine derni\u00c3\u00a8re s’est ouverte, au Bel Ordinaire, l’exposition \u00ab\u00a0Reconfiguration des particules\u00a0\u00bb, que j’ai co-commissari\u00c3\u00a9 avec C\u00c3\u00a9cile Babiole, pour Le sans titre. Nous y montrons des \u00c5\u201cuvres de Refik Anadol, David Blair, Sylvie Bonnot, Jean-Marie Boyer, Caroline Corbasson, Paul Destieu,… (SAVOIR PLUS)<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[],"_links":{"self":[{"href":"https:\/\/incident.net\/users\/julie\/wordpress\/index.php?rest_route=\/wp\/v2\/posts\/8696"}],"collection":[{"href":"https:\/\/incident.net\/users\/julie\/wordpress\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/incident.net\/users\/julie\/wordpress\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/incident.net\/users\/julie\/wordpress\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/incident.net\/users\/julie\/wordpress\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=8696"}],"version-history":[{"count":2,"href":"https:\/\/incident.net\/users\/julie\/wordpress\/index.php?rest_route=\/wp\/v2\/posts\/8696\/revisions"}],"predecessor-version":[{"id":8718,"href":"https:\/\/incident.net\/users\/julie\/wordpress\/index.php?rest_route=\/wp\/v2\/posts\/8696\/revisions\/8718"}],"wp:attachment":[{"href":"https:\/\/incident.net\/users\/julie\/wordpress\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=8696"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/incident.net\/users\/julie\/wordpress\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=8696"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/incident.net\/users\/julie\/wordpress\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=8696"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Fid\u00c3\u00a8le \u00c3\u00a0 notre mani\u00c3\u00a8re d\u00e2\u20ac\u2122envisager le commissariat comme une cr\u00c3\u00a9ation artistique, nous avons cr\u00c3\u00a9e une sc\u00c3\u00a9nographie qui englobe l\u00e2\u20ac\u2122ensemble des pi\u00c3\u00a8ces s\u00c3\u00a9lectionn\u00c3\u00a9es et des espaces, introduit par une s\u00c3\u00a9rie de 32 s\u00c3\u00a9rigraphies du Sans titre.<\/p>\n\n\n\n
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